<\/p>\n

E<\/span>DGAR SOBER\u00d3N was born in Cienfuegos, Cuba in 1962. His family traveled to Madrid, Spain in 1971 and later settled permanently in New York City. In 1983 Sober\u00f3n was awarded a scholarship to study at Parsons School of Design in New York.<\/span><\/strong><\/h3>\n

 <\/p>\n

In 1987 he received a Bachelor of Fine Arts Degree graduating at the top of his class. As a student, Sober\u00f3n was also awarded the Brunschwig and Fils Scholarship to travel abroad. In 1986 he studied at Parsons and the American College in Paris, France and Sienna, Italy. It was soon after his studies abroad that Sober\u00f3n would decide that he would pursue painting and printmaking on a full time basis.<\/span><\/strong><\/h3>\n

 <\/p>\n

Sober\u00f3n had his first solo exhibition in 1998 at the Associated American Artists gallery in New York City. He has participated in numerous exhibitions since, including two important still life survey exhibitions: Silent Things Secret Things, Still Life from Rembrandt to the Millennium, Albuquerque Museum of Art, Albuquerque, New Mexico and Reflections of Time and Place: Latin American Still Life in The 20th Century, Katonah Museum of Art, Katonah, N.Y. and El Barrio Museum, New York, N.Y.<\/span><\/strong><\/h3>\n

 <\/p>\n

In 2004 Sober\u00f3n’s prints became part of the collection of the Rutgers Archives for printmaking. His prints were on display at the Jane Voorhees Zimmerli Museum of Art, New Brunswick, N.J. as part of the exhibition, Newer Genres: Twenty Years of the Rutgers Archives for Printmaking Studios. In 2004, his prints were also acquired by the Library of Congress, Prints and Photographs Division, in Washington, DC. More recently, Sober\u00f3n prints were selected for exhibition in the Harnett Biennial of American Prints, his work is now part of the print collection at the Harnett Museum of Art, University of Richmond Museums, Richmond, VA.<\/span><\/strong><\/h3>\n

 <\/p>\n

In the fall of 2009, the Montgomery Museum of Fine Arts, Montgomery, AL opened a retrospective exhibition that brought together a selection of 43 paintings and works on paper spanning more than a decade. Movements in Stillness: The Still life paintings of Edgar Sober\u00f3n, was the artists first solo museum exhibition. An exhibition catalog with the essay, \u201cThe Hermetic Universe of Objects\u201d, by professor and historian, Edward J. Sullivan of New York University was published by the museum.<\/span><\/strong><\/h3>\n

 <\/p>\n

Sober\u00f3n joined the faculty at Parsons School of Design in 1992, where he served as Drawing and Printmaking instructor with the Foundation and Fine Arts programs until 2002. In 1996 the New School University and Parsons School of Design recognized Sober\u00f3n with the distinguished, Teaching Excellence Award for his outstanding contributions in art education. In 2002, after a year on sabbatical from his post at Parsons, Sober\u00f3n relocated his studio to central Mexico. He presently lives and works in the town of San Miguel de Allende, Guanajuato.<\/span><\/strong><\/h3>\n

<\/h3>\n

 <\/p>\n

 <\/p>\n

E<\/span>DGAR SOBER\u00d3N<\/span>\u00a0<\/strong><\/span>nace en Cienfuegos, Cuba, en 1962. Su familia se exilia a Madrid, Espa\u00f1a en 1971. En 1973, viajan a Nueva York donde establecen residencia permanente. Sober\u00f3n realiza sus estudios formales en Parsons School of Design en Nueva York, donde se recibi\u00f3 con la\u00a0Licenciatura de Bellas Artes en 1987. En Parsons Sober\u00f3n recibi\u00f3 la Beca Brunschwig & Fils para estudiar en el extranjero y el American College en Par\u00eds, Francia y Sienna, Italia.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

En 1992 Sober\u00f3n imparte clases de Dibujo y Grabado en Parsons por primera vez y permanece como profesor hasta 2002. En 1996, The New School University y Parsons le reconocen por sus contribuciones did\u00e1cticas a nivel universitario, galardon\u00e1ndole el distinguido \u201cPremio por Excelencia en la Ense\u00f1anza\u201d.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

Sober\u00f3n hace su primera exposici\u00f3n individual, en 1998 en la galer\u00eda Associated American Artists en New York. Ha participado en numerosas exposiciones desde entonces, en las que destacan dos importantes exposiciones sobre el tema del bodeg\u00f3n: Silent Things Secret Things: Still Life Painting from Rembrandt to the Millenneium, Albuquerque Museum of Fine Arts, Albuquerque, Nuevo M\u00e9xico y Reflections of Time and Place: Latin American Still Life in the 20th<\/sup> Century, Katonah Museum of Art, Katonah, Nueva York, y El Museo del Barrio, Nueva York, NY.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

En 2004 Sober\u00f3n participa en la exposici\u00f3n, Newer Genres: Twenty Years of Rutgers Archives for Printmaking Studios, Jane Voorhees Zimmerli Museum of Art, New Brunswick, N.J. Este mismo a\u00f1o sus grabados son adquiridos para la colecci\u00f3n permanente de la Biblioteca del Congreso de los EUA, Divisi\u00f3n de Grabados y Fotograf\u00edas, Washington, DC.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

Su obra se encuentra en numerosas colecciones en Estados Unidos y en el extranjero entre las que cabe mencionar, The Montgomery Museum of Fine Arts, Montgomery, Alabama.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

El Museo del Barrio, New York, NY, The Jane Voorhees Zimmerli Museum of Art, Rutgers Archives for Printmaking, New Brunswick, NJ, The Hechinger Collection, Landover, Maryland y The Library of Congress Prints and Photographs Division, Washington, DC.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

En el oto\u00f1o de 2009, el Montgomery Museum of Fine Arts, Montgomery, AL. inaugura una exposici\u00f3n retrospectiva que re\u00fane una selecci\u00f3n de 43 pinturas y grabados abarcando obras de los \u00faltimos diez a\u00f1os. Movements in Stillness<\/em>: The Still Life Paintings of Edgar Sober\u00f3n, fue la primera exposici\u00f3n individual del artista a nivel de museo. EL cat\u00e1logo que acompa\u00f1a esta exposici\u00f3n lleva el ensayo, \u201cThe Hermetic Universe of Objects\u201d del reconocido historiador de Arte Latino Americano, Edward J. Sullivan.<\/strong><\/h3>\n

\u00a0<\/strong><\/h3>\n

Desde 2002 Sober\u00f3n vive y trabaja en la ciudad de San Miguel de Allende, Guanajuato, M\u00e9xico.<\/strong><\/h3>\n[vc_separator type=”transparent” position=”left” up=”9″ down=”8″][vc_separator type=”transparent” position=”left” up=”9″ down=”8″][vc_row row_type=”section” type=”grid” text_align=”left” padding_bottom=”55″][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”transparent” position=”center” up=”6″ down=”2″][vc_separator type=”transparent” position=”center” up=”6″ down=”2″][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

PROFESSIONAL STUDIES<\/span><\/h2>\n

ESTUDIOS PROFESIONALES<\/h2>\n[\/vc_column_text][vc_separator type=”transparent” position=”left” up=”9″ down=”8″]\n

1982<\/span><\/strong> \u00a0Arts Students League of New York. New York, N.Y.<\/h3>\n

1983-1987<\/span> <\/strong>\u00a0BFA, Parsons School of Design. New York, NY.<\/h3>\n

1986<\/strong><\/span> \u00a0Parsons School of Design \/American College in Paris. Paris, France.<\/h3>\n

1986<\/span> <\/strong>\u00a0Summer Program, Parsons School of Design. Sienna, Italy.<\/h3>\n<\/span>[vc_separator type=”transparent” position=”left” up=”9″ down=”8″][vc_separator type=”transparent” position=”center”][vc_separator type=”transparent” position=”center”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

EXHIBITIONS<\/span><\/h2>\n

EXPOSICIONES<\/h2>\n

<\/h3>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]\n

2019<\/span><\/h2>\n

Atlanta Print Biennial<\/em>: Group Exhibition of Prints. March 8 \u2013 April 6, 2019. Kai Lin Art, Atlanta Georgia<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2019<\/span><\/h2>\n

Print Austin<\/em>: Group Exhibition of Prints, Jan 15- Feb 15, 2019<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2015<\/span><\/h2>\n

Hand Pulled<\/em>: The Current Practice In Printmaking, Group Exhibition of Artist Prints, Gallery OnSite: Brooklyn, N.Y. New York.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2014<\/span><\/h2>\n

Harnett Biennial of American Prints, <\/em>Harnett Museum of Art, University of Richmond. Richmond, Virginia.<\/h3>\n

 <\/p>\n

\u201cPulling the Devil\u2019s Tail\u201d, <\/em>Group Exhibition of Artist Prints. The Fischer Gallery, Horace Mann School, Bronx. New York, N.Y.<\/h3>\n

 <\/p>\n

Homenaje a Pedro Friedeberg<\/em>: Manos por M\u00e9xico, Franz Mayer Museum. Mexico, D.F., Mexico. Pinacoteca de Monterrey. Nuevo Le\u00f3n, Mexico. Group exhibition of artist interventions on the iconic Hand-Chair of Mexican artist Pedro Friedeberg.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2013<\/span><\/h2>\n

Nicki Solomon Fine Art, Art and Design of the 20th<\/sup> and 21st<\/sup> Century, Boston Print Fair, Boston Center for the Arts, Boston, MA<\/h3>\n

 <\/p>\n

The Magic of Still Life, Group Exhibition, Galer\u00eda Santiago Corral. Valle de Bravo, Edo. de Mexico, Mexico.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2010<\/span><\/h2>\n

Solo Exhibition, Gallery Bergelli, Larkspur. San Francisco, CA.<\/h3>\n

 <\/p>\n

Presentation and cocktail celebrating the May, 2010 cover issue of Marin Magazine.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2009-2010<\/span><\/h2>\n

Movements in Stillness: <\/em>The Still life paintings of Edgar Sober\u00f3n, Montgomery Museum of Fine Arts, Montgomery, AL. Solo exhibition of paintings and prints.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][\/vc_column][vc_column width=”1\/3″][vc_column_text]\n

2007<\/span><\/h2>\n

Panorama Latinoamericano.\u00a0<\/em>Group Exhibition, Artspace, Virginia Miller Gallery. Coral Gables, Miami, Florida, April \u2013 May 2007.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2005-2014<\/span><\/h2>\n

Tools in Motion<\/em>: Works from the Hechinger Collection<\/em>, traveling museum group exhibition.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2005<\/span><\/h2>\n

Young Latin Americans: <\/em>Group Exhibition, Artspace, Virginia Miller Gallery, Coral Gables, Miami, Florida.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2003-2004<\/span><\/h2>\n

Newer Genres: Twenty Years of the Rutgers Archives for Printmaking Studios<\/em>,<\/em> Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2003<\/span><\/h2>\n

Edgar Sober\u00f3n: Naturaleza Muerta. Galer\u00eda Casa Museo Pedro Friedeberg,\u00a0San Miguel de Allende, GTO. Mexico.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

2001<\/span><\/h2>\n

Galer\u00eda Acquavella, Feria del Arte Internacional, Caracas, Venezuela.<\/h3>\n

 <\/p>\n

Galer\u00eda Ramis Barquet. Monterrey, Mexico.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1999<\/span><\/h2>\n

Silent Things, Secret Things: Still Life from Rembrandt to the Millennium<\/em>, Albuquerque Museum, Albuquerque, New Mexico.<\/h3>\n

 <\/p>\n

Group Show, Associated American Artists, New York, NY.<\/h3>\n

 <\/p>\n

Naturalezas Muertas<\/em>, Centro Cultural El Nigromante, San Miguel de Allende, Gto. Mexico. Solo exhibition of paintings and prints.<\/h3>\n

 <\/p>\n

Reflections of Time and Place: Latin American Still Life in the 20th Century<\/em>, Katonah Museum of Art, Katonah, New York \/ Museo del Barrio, New York, NY.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

<\/h2>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][\/vc_column][vc_column width=”1\/3″][vc_column_text]\n

1998-1999<\/span><\/h2>\n

Edgar Sober\u00f3n: Cuban Reveries<\/em>, Associated American Artists, New York, New York. Solo exhibition paintings.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1998<\/span><\/h2>\n

On Paper<\/em>, Associated American Artists, New York, NY. Group exhibition.<\/h3>\n

<\/h3>\n

 <\/p>\n

Edgar Sober\u00f3n: Recent Still Life Prints<\/em>, Gallery 2\/20, New York, NY.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1997<\/span><\/h2>\n

Exploring Metaphor: The Hechinger Collection<\/em>, National Building Museum, Washington.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1996<\/span><\/h2>\n

Galer\u00eda Palomas, Old San Juan, Puerto Rico. Group exhibition.<\/h3>\n

 <\/p>\n

Small Prints<\/em>, Joint Faculty Print Exhibition, University of West England, Bristol.<\/h3>\n

 <\/p>\n

Inprints<\/em>, The Cork Gallery, Avery Fisher Hall at Lincoln Center, New York, NY.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1995<\/span><\/h2>\n

Group Exhibition, LRC Gallery, Nicolet College, Rhinelander, Wisconsin.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1994<\/span><\/h2>\n

Galer\u00eda Palomas, Old San Juan, Puerto Rico, Group exhibition.<\/h3>\n

 <\/p>\n

Three Artists’ Works on Paper<\/em>, NAW Gallery, New York, NY.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1992<\/span><\/h2>\n

Visions In The Poetry of Maya Islas<\/em>, Drawings and paintings, Ollantay Center for the Arts, Queens, New York.<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1989<\/span><\/h2>\n

Small is Big, Small Works Exhibition, Parsons Gallery, New York, NY.<\/em><\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][vc_column_text]\n

1988<\/span><\/h2>\n

Tribute to Artistic Achievement, Broadway Gallery, Passaic Community College, Passaic, N.J.<\/em><\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”transparent” position=”center”][vc_separator type=”transparent” position=”center”][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

<\/h2>\n

APPOINTMENTS<\/span><\/h2>\n

DOCENCIA<\/h2>\n

<\/h3>\n[vc_separator type=”transparent” position=”center”]\n

1989<\/strong>\u00a0<\/span>Parsons School of Design, New York, NY, Printmaking Facilities, Supervisor.<\/h3>\n

1992-2002<\/strong> <\/span>Foundation Program, Parsons School of Design New York, Drawing Instructor.<\/h3>\n

1992-2002<\/strong>\u00a0<\/span>Printmaking Department, Parsons School of Design New York, Printmaking Instructor.<\/h3>\n<\/span>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator type=”transparent” position=”center”][\/vc_column][\/vc_row]\n[vc_separator type=”transparent” position=”center”][vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”transparent” position=”center”][vc_separator type=”transparent” position=”center”][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

<\/h2>\n

AWARDS<\/span><\/h2>\n

RECONOCIMIENTOS<\/h2>\n

<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”]\n

1995-1996<\/strong>\u00a0<\/span>Distinguished University Teaching Award, New School University \/ Parsons School of Design, New York, NY.<\/h3>\n

1983-1987<\/strong> <\/span>Deans List Honors, Parsons School of Design, New York, NY.<\/h3>\n

1986<\/strong>\u00a0<\/span>Brunschwig and Fils Scholarship, American College in Paris \/ Parsons School of Design, Paris, France.<\/h3>\n

1980<\/strong>\u00a0<\/span>Augustus St. Gaudens Medal Award for outstanding draftsmanship, Board of Education City of New York, NY.<\/h3>\n<\/span>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator type=”transparent” position=”center”][\/vc_column][\/vc_row]\n[vc_separator type=”transparent” position=”center”][vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”transparent” position=”center”][vc_separator type=”transparent” position=”center”][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

<\/h2>\n

BIBLIOGRAPHY<\/span><\/h2>\n

BIBLIOGRAF\u00cdA<\/h2>\n

<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”]\n

Revista EstePa\u00eds, November 2015, Cultural Section, Profile of painter Edgar Sober\u00f3n, Mexico, D.F.<\/h3>\n

 <\/p>\n

Lupina Lara Elizondo, Autorretratos en la Historia Universal<\/em>, Editorial Promoci\u00f3n de Arte Mexicano. Lomas de Chapultepec, Mexico, D.F.<\/h3>\n

 <\/p>\n

Conversations with Artists in San Miguel de Allende, by Margaret Paul, 2014. Book of interviews with local artists living in San Miguel de Allende, Mexico. Published by the writer.<\/h3>\n

 <\/p>\n

Lupina Lara Elizondo, Monica Lavin Maroto, Naturaleza Muerta<\/em>, Obras Maestras en la Historia del Arte, Editorial Promoci\u00f3n de Arte Mexicano, Mexico, D.F. 2013.<\/h3>\n

 <\/p>\n

Edward J. Sullivan, The Hermetic Universe of Objects, Movements in Stillness<\/em>: The Still Life Paintings of Edgar Sober\u00f3n, (exhibition catalog) Montgomery Museum of Fine Arts, Montgomery Alabama. Foreword by Mark M. Johnson, Museum Director, 2009-2110.<\/h3>\n

 <\/p>\n

Trudy V. Hansen, “Evolving Forms \/ Emerging Faces”, Trends in Contemporary Printmaking, Recent Acquisitions<\/em>; Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey, 1999.<\/h3>\n

 <\/p>\n

Maya Islas, Merla<\/em>, illustrations and translation by Edgar Sober\u00f3n. Editorial Betania, Madrid, Spain, 1991.<\/h3>\n

 <\/p>\n

Ellen J. Landis, Bernard Barryte, Peter Frank. Silent Things, Secret Things, Still Life from Rembrandt to the Millenneum<\/em> (exhibition catalog), Albuquerque Museum of Fine Arts, Albuquerque, New Mexico, 1999-00.<\/h3>\n

 <\/p>\n

Edward J. Sullivan, Clayton Kirking. Latin American Still Life: Reflections of Time and Place<\/em> (exhibition catalog), Katonah Museum of Art, Katonah, New York and Museo del Barrio, New York, New York, 1999-2000 Edgar Sober\u00f3n: Still Life Paintings. Published by the artist with introduction by Pedro Friedeberg. Designed by Ernesto Ferrand, printed in Mexico, 2007.<\/h3>\n

 <\/p>\n

Lupina Lara, Resumen Magazine: Issue #112, July-August 2011. Published by Promoci\u00f3n de Arte Mexicano, Lomas de Chapultepec, Mexico, D.F.<\/h3>\n<\/span>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator type=”transparent” position=”center”][\/vc_column][\/vc_row]\n[vc_separator type=”transparent” position=”center”][vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_separator type=”transparent” position=”center”][vc_separator type=”transparent” position=”center”][vc_separator type=”full_width” position=”center” color=”#7a7a7a”][vc_column_text]\n

<\/h2>\n

PUBLIC COLLECTIONS<\/span><\/h2>\n

COLECCIONES P\u00daBLICAS<\/h2>\n

<\/h3>\n[\/vc_column_text][vc_separator type=”transparent” position=”center”]\n

Montgomery Museum of Fine Arts, Montgomery, Alabama.<\/h3>\n

 <\/p>\n

Harnett Museum of Art, University of Richmond Museums, Richmond, VA.<\/h3>\n

 <\/p>\n

Museo del Barrio, New York, NY.<\/h3>\n

 <\/p>\n

The Hechinger Collection, Arts & Artists International, Washington, DC.<\/h3>\n

 <\/p>\n

Jane Voorhees Zimmerli Art Museum, Rutgers Archives for Printmaking, New Brunswick, NJ.<\/h3>\n

 <\/p>\n

The Library of Congress, Prints and Photographs Division, Washington, DC.<\/h3>\n

 <\/p>\n

Casa Larios, Miami, Florida.<\/h3>\n

 <\/p>\n

TIAA Co., New York, NY.<\/h3>\n

 <\/p>\n

Condado Plaza, San Juan, Puerto Rico.<\/h3>\n

 <\/p>\n

El Convento, San Juan, Puerto Rico.<\/h3>\n

 <\/p>\n

Collection Milenio Arte, Fundaci\u00f3n Milenio. Mexico City, Mexico<\/h3>\n<\/span>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator type=”transparent” position=”center”][\/vc_column][\/vc_row]\n[vc_separator type=”small”][vc_row_inner row_type=”row” type=”grid” text_align=”center”][vc_column_inner width=”1\/1″ el_class=”toolbar_change”]<\/i><\/span><\/span><\/a><\/i><\/span><\/span><\/a><\/i><\/span><\/span><\/a><\/i><\/span><\/span><\/a><\/p>\n

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